One of the many projects I have been working on of late has been Dudebox.

The shop isn’t live yet, but in the mean time we have been building as much of a following, before the launch, as we can.

Part of which is the dreaded owned content that we need to produce, despite having no release product yet.

To kick things off, I was asked last night to build a quick video gallery of some of the entries for Pete Fowler and Fiends, an open competition with the winner’s artwork being included in Pete Fowler’s first ever platform range of vinyl toys.

I’m no animator or editor for that matter, but for 3 hours work, I am rather pleased with myself.

This was the result:

 

Just been live for the first 90 mins of a 24 hour broadcast from Karmarama’s basement.

Dave Buonaguidi will be playing pingpong non stop against a mix of staff and clients for a whole day and all for charity, AgeUK to be specific.

You can watch the game and donate here

 

In a less than jovial state this morning, I decided to have a proper play with the Blob Brush (tech term) in Illustrator.

This was the result:

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Love hearing this on the underground.

It should fill me, and everyone who knows, with dread, but the Cold War is over and so is the message’s secret purpose.

“Inspector Sands is a code phrase used by public transport authorities in the United Kingdom, including Network Rail and London Underground, to alert staff and other agencies, such as the police, to an emergency or potential emergency such as a fire or bomb scare without alerting the public and creating panic.”

 

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Quick post to show the wall I built for last nights launch of the new Aloft hotel next to London ExCeL.

Just the woodwork though, the artwork is by Mr Gauky.

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Work in progress

 

 

 

 

Following on from my post about Tom Pellereau on his Apprentice win.

In a totally shameless push for more traffic, I recently followed Tom ( I can call him Tom because we apparently went to the same school) on Twitter and sent him a link to the post mentioned.

Unsurprisingly, his stream has been full of great links and insight, though I’m no quite in tune with his music taste.

One such link is this post by Sally Gardner, an author but more relevantly an Expert Dyslexic | Read post

In it she discusses many of the problems she encountered as a child at school, her self belief that has lead to her success and some encouraging thoughts on how to incubate the talent within what was once an outcast of the educational society.

 ”I believe we fail too many creative children in this country, whether they are dyslexic or not. If a child is interested in a button, you can teach him the world. Teach him the world and don’t expect him to be interested in a button.  We are looking the wrong way down the telescope.”

Both their stories, and my own, got me thinking…

There appears to be an age of epiphany common to Tom, Sally and myself once we had left traditional schooling.

This could be due to a number of things though:

1. The alienation and branding of our ‘disease’ stripped our enthusiasm throughout our ‘formative’ years leading to a renaissance once we entered the workplace.

This in itself raises yet more questions:

  • Is the stigma of dyslexia isolated inside education?
  • Are dyslexics just better at learning for themselves?
  • Is vocation the key to absorbing knowledge?
  • Do dyslexics have some kind of latency inherit in their ability to learn?

2. The need to equip all school children with the core skills of reading and writing at the expense of the creative nurturing imprisoned our development.

I feel this affected me greatly, but can appreciate the need to encourage as high a level of literacy as possible.

3. The alienation and struggle to find ones path, opens up a greater variety of avenues in employment and inspiration.

Following a recent conversation in a pub with a teacher friend, I was informed that many of my opinions are widely recognized and solutions have been put into practice.

So number 4 is:

4. Tom, Sally, myself and everyone else of a certain age that connects with some, if not all, of what I have said, is just the product of a poor educational strategy that has since been refined and improved…

I just hope that, if this is the case, in 10 or 20 years time, when the ‘New Breed of Dyslexic’ has passed their age of epiphany, the result is as bold and productive as Tom and Sally (and myself obviously).

 

 

 

 

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Just couldn’t resist GIFing it up on this one.

So I made a little loop from the chorus of the Seahawks & Autre Ne Veut post below.

How nice would an animated picture-disk look???

 

I was asked by the Seahawks boys to do a video for their current collaboration with the brilliant Autre Ne Veut.

I started by making a four channel mixer in Max/MSP to comp various clips to the track and had pretty much done the job live when, I wondered what it could look like with some editing.

Out popped FCP and this was the result.

Hope you like.

 

After spending today mapping projections around my flat I was feeling quite smug with my success.
All I need for now is more time, more animation talent and a much brighter projector bulb.

Well, the following has been made by someone with a lot of talent, clearly a lot of time and the brightest bulb going. Incredible…